This is the first article in the Elements of Tone series.
Strings are an underrated component in the search for tone.
Old strings sound dull. The more distinctive the treble of the guitar (e.g. from a telecaster, stratocaster), then the bigger the difference the age of the strings will make. If you want to hear that clang of the strings against the frets that's so familiar from a stratocaster, then you need new strings. Even on rockier guitars, the strings will make a difference.
If we're looking for awesome tone, then you may need to look at thicker strings. Throughout electric guitar history, the best tone has been achieved with thicker strings. The most common reference always seems to be Stevie Ray Vaughan playing with .013 gauge strings and turned down a semitone. Yes, he did have an awesome tone, but it wasn't just that he played thick strings - he had a lot more components, each working towards that tone - but the strings were one component and they did add to the combination.
Thicker strings are more difficult to bend and more difficult to play fast on. But you can learn to bend with a couple of fingers on the bend or build up strength over time. One good thing about thicker strings is that they break less than thinner strings.
Just watch out for the tension on the neck from using heavier strings, it's best to get advice from your local guitar tech if you're changing string gauge. If you have a tremolo bridge, then you may find you need to adjust that as well if you use a different gauge of strings.
Stainless Steel, bronze or nickel. Do some research and/or try different materials. Oddly enough stainless steel strings don't sound as bright as you'd expect them to. There's a reason why most electric guitar strings are nickel-plated; it works nicely.
The standard electric guitar strings are top 3 nickel-plated stainless steel and the bottom three as wound steel. For some applications, most notably jazz, flat wound strings offer a distinctive alternative. The flat wound reduces the string noise as your fingers pass along the length of the string. They are more expensive than normally wound strings.
My choice for Les Paul or PRS type guitars are Kerly Kues. Time and time again, they've performed admirably. In the years I've been playing with them, I've only ever broken one string.
I've yet to try Kerly Kues on Stratocaster and Telecaster type guitars where I'm still using D'addarios. I know that the basic D'addario range aren't sold as the best strings in the world, yet they are consistent. They're generally available and wherever you are, you can find them. If I fancy a change, then I like to swap to Rotosound with light tops and heavy bottoms.





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